Five reviews, Six Books
Jun. 8th, 2005 11:25 am- The Knight (by Gene Wolfe)
- Steven Brust raves about this book. Neil Gaiman says if I don't read it, all the cool people will laugh at me. All the newspapers seem to think Gene Wolfe walks on water. (See Washington Post review). So when I found the book pretty good but not amazing, I think my qualms are because I'm looking at a Seurat painting up close and fussing over why it's a blue dot there. Standing farther back, it feels like an old story of knight-errantry, told completely straight, and told well. Some things are fascinating and work well (the higher and lower worlds); some things are puzzling (why is the main character kinda-sorta-from modern Earth?); some things are frustrating (the Knight keeps leaving his quests halfway through, as if he follows a compass pointing towards the most important nearby plot. In any given instance, it's a fine guide, but it means he doesn't get back to finish the old plots once he's trailed off after the more important new ones). I don't dare rate this book, because who am I to argue with Neil Gaiman and Steven Brust?
- The Briar King and The Charnel Prince (by Greg Keyes)
- These are everything I could ask for in a series, except for "being finished." For those who think that George R. R. Martin is never going to publish A Feast For Crows (of course, between writing this and posting, Crows went to the publisher), you might consider jumping ship to the Kingdoms of Thorn and Bone. It's the same genre, and just as good. Hmm. Is that heresy? No, really, just as good. Not quite as thick, a little smaller in scope (only one continent instead of two). Villains in all shades of grey, fallible heroes and noble ones, mistakes and betrayals... Fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love, miracles... And a very nice hand with language, too. A lot of fantasy books will invent words (most commonly for hot beverages and flowers) to make things seem more foreign - starting with lembas and ever since. Most examples of this are just jarring (like the Finux operating system in Cryptonomicon!), but Keyes' words all seem plausible and natural, especially when interspersed with esoteric but real English. There's a music subplot in Charnel Prince - the orchestra is a consort, the instruments include croth, hautboy, and hammarharp. See? Six stars.
- Tribulations (by J. Michael Straczynski)
- From JMS, I expect stronger plot than dialogue, and this was that. It's an interesting exercise in terms of genre - is it a psychological thriller or supernatural horror, Thomas Harris or Stephen King? The balancing act there was handled well. The different points of view were handled well, too - sometimes you have a viewpoint character and everyone who disagrees is an idiot, and while there was a fair share of colorful idiots, not everyone was. And, speaking of not idiots, there were a number of good examples where the heroine doesn't do the ridiculously stupid thing expected in a horror movie, and a number of scenes that didn't go the way my instincts told me they would. Some of the forensics I'm dubious about, though. Solid, but not breathtaking. Three and a half stars.
- Path of Fate (by Diana Pharaoh Francis)
- Well, the relationship between the healer and the bird is pretty good, though nothing particularly remarkable as far as the bonded-animal trope goes. Unfortunately, the pair has the misfortune to be in a very poorly constructed plot, though they soldier bravely through it. I could point at lots of things that bugged me, from "ahalad-kaaslane" as a term that never gets easier to mentally pronounce, to the pacing of the love plot. But I'll focus on the bad guys. Here there be spoilers, so read no further if you care.
There are two sets of bad guys. The first... let me see if I can explain this properly. There has just been a bloody war, in which the Evil Mages in one country wiped out helpless refugees from the other. Tempers are hot. Nevertheless, there is a peace treaty being negotiated. The first set of bad guys is a conspiracy between people on both sides who have the motive "This peace is bad! If we forge a peace with [opposing country] now, they'll enslave us and all those people who died will have been for naught! We cannot have a dirty peace with the horrible enemy!" Okay, I can see that as a motive. But I can't see it as a motive which explains teaming up with people who think the same thing on the other side! Especially gloating about teaming up with the Evil Mages because they need you.
The second group is the Evil Mages, who seem to do an awful lot of running around being demonstrably evil even to the country they're on. Towards the end, the rulers are at the peace conference - looming over their negotiation is the threat that if the Missing Kidnapped Girl is not recovered, then there will be War! And sunset is the deadline for her to be returned. So... the Evil Mages (who are ostensibly still working for one of the countries) have put up a Magical Barrier around the place where the rulers are negotiating, so no one and no messages can get in or out. Nobody (except the Plucky Main Character) seems to realize that this is even a problem. Ah well. I really do enjoy reviewing bad books more than good books. On the positive side, the cover is very pretty, and contains a very accurate portrait of the main character, which is always a nice change. One and a half stars. - The Summer Country (by James A. Hetley)
- "They have slaves in the summer country. Camelot is dead. Arthur is dead. Law is dead. Power rules." That's the quote from the back of the book, and it's a good microcosm of the book. Dark themes, with some poetry to it, but it would be more poetic if it talked less. The characters do a lot of stream-of-consciousness analysis about themselves and others - and they're all pretty dysfunctional, so they could use the analysis. But that clouds the lines of the plot, which are themselves reasonably spare and clean. Another "solid but not breathtaking" at three and a half stars.
(Tribulations and The Summer Country are borrowable. Path of Fate and its sequel Path of Honor are yours if you want them, until they go to MITSFS. Knight, Briar King, and Charnel Prince were all MITSFS books.)
no subject
Date: 2005-06-08 09:09 am (UTC)no subject
Date: 2005-06-08 11:03 am (UTC)I read walking to/from the T from/to work, before bed, while the book indexer is searching, mostly in little bits of time. Or when I'm knitting, which is why I try to get hardbacks from MITSFS, because they'll stay open. I read a quote once somewhere: "If you've never apologized to a lamp-post for bumping into it, you're wasting valuable reading time." Though that's probably a little more extreme than me. :)
From my quotes file...
Date: 2005-06-08 01:15 pm (UTC)parking meter or bashed your shins on a fireplug, you are probably wasting too
much valuable reading time."--Sherri Chasin Calvo
Not really something I do any more. Although if I stopped reading the newspapers (I think I'm at two daily and three weekly, currently), I'd probably get more books read. :-)
Re: From my quotes file...
Date: 2005-06-09 10:18 am (UTC)There is a guy at work, though that takes this to an extreme. Do you know how bizarre it is to walk into a restroom to find someone reading at the urinal? (Well, I guess if you're a woman, finding a urinal in your restroom might be bizarre enough.)
BTW, thanks for the reviews - It's getting harder to find 'interesting' books that aren't new at Barnes and Noble. Much easier to go in with a list.