firstfrost: (Default)
[personal profile] firstfrost
After seeing the Lyric's Talley's Folly (we lost [livejournal.com profile] chenoameg!) I find that most of what I'm thinking about is differences/similarites to the [livejournal.com profile] dpolicar/[livejournal.com profile] chanaleh version. All the things I think about the play are still true - I still find Matt more sympathetic than Sally, the writing good, and so on. I found the Lyric Matt very like Dave's Matt, but the Lyric Sally much more different (both harder and more frightened, which meant I could maybe understand her a little more (though I guess having seen it once before helps with that), but like her a little less.). I wonder if this is because Matt's character (for me) is so tied up in the accents and voices?

The only thing that I really didn't like was the music during the Sally-confesses confrontration. My first instinctive reaction was "oh for God's sake, is that someone's cell phone?" Then I realized it was music from the bandstand (there's a line about it), but even so, it made my entire emotional reaction to that scene one of annoyance at the noisemusic as opposed to a reaction to anything going on on stage.

Date: 2006-04-13 07:54 pm (UTC)
dpolicar: (Default)
From: [personal profile] dpolicar
Definitely. Sometimes he's just deflecting, sometimes he's coming at something the long way 'round, and sometimes he's taking advantage of the opportunity as it arises.

But the script allows for many different reads with respect to levels of stretegizing. In my head he's much less strategic than the script allows. For example, his incompetance at skating and at getting out of the hole is definitely intended to get him physical time with Sally, but his putting the skates on in the first place is just intended to be endearing and distracting.

It could easily be read differently though, and the more strategic he is the less likable he is.

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